Everything, all at once. Dread and whimsy and cosmic and mundane. Sarah Benslimane’s new series of paintings of 2024-2025 revisits Robert Rauschenberg’s
flatbed approach to picture-making by scattering objects and images on a horizontal surface, layering and organizing their relations to each other without a blueprint. Working on all the paintings simultaneously, her process remains open until it is… Read the full article here. 

 

This text by Fabrice Stroun is taken from MAMCO Journal #15, which was published in June 2025. You can access all previous issues in digital format on our website by following this link. To receive future issues free of charge, send your postal address to journal@mamco.ch.