Françoise Ninghetto, curator at the MAMCO, reflects on the museum’s inaugural exhibition in 1994, Le musée est dans l’escalier. She discusses one of the MAMCO’s founding principles—conceived as a global work of art—and focuses on three in situ pieces created for the museum’s architecture on that occasion: Art, Text, Light, Sign by Maurizio Nannucci, Cercles concentriques via le rectangle Genève by Felice Varini, and Deux directions cruciales by Michel Verjux.

For more information, please visit the MAMCO archives website by following this link. 

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• produced in September 2020